"Really awful is more interesting to listen to than pretty good" - Eno ................................................................................................................................................................................................................. welcome to the drivel blog of "music detractor, Simon Reynolds"
Friday, March 16, 2012
this was always-already kitsch
the sub-Mick Karn fretless-bass twangs and pootles
the excessive echo on Young's voice when he really emotes
the winceworthy backing vocals going on about "did you write the book of love?"
and ooh that bit two minutes in when the bird starts warbling this wordless aria
the song has this strange faded, slightly detuned and wavering off-pitch production, like everything's a little bit sharp
it fits the washed-out tint applied to the video
as with "Wherever I Lay My Hat", despite all these deficits, it almost makes it just through the dignity of Young's controlled performance
but the instantly-dated production gets in the way
these two are even worse
i suppose, though, the production (on No Parlez, by Laurie Latham) is actually not that far off the territory on this album, released the following year)
the missing link between the two is maybe this
which i had never heard, i don't think, just read about at the time
i suppose it is not as bad as it could have been
for some reason reminded me that Robert Palmer did a cover of a Gary Numan song
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1 comment:
As I recall, he even got Numan to guest on keyboards. I had a cassette copy of that album when it came out. T thought at the time that the Numan cover was a bit of a sore thumb on the thing.
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