“Without music life would be a
mistake” – Friedrich Nietzsche, Twilight of the Idols, or, How to Philosophize with a Hammer , 1889
“My music
is best understood by children and animals” - Stravinsky
“Words
are bound in chains, but, happily, sounds are still free” —Ludwig van
Beethoven, 1826, writing to the poet Christoph Kuffner.
“Music expresses that which cannot be said and on which
it is impossible to be silent” – Victor Hugo, in William Shakespeare, 1864
“From pure sensation to the intuition of
beauty, from pleasure and pain to love and the mystical ecstasy and death — all
the things that are fundamental, all the things that, to the human spirit, are
most profoundly significant, can only be experienced, not expressed. The rest
is always and everywhere silence. After silence that which comes nearest to
expressing the inexpressible is music” – Aldous Huxley, “The Rest Is Silence”
from Music at Night and Other Essays,
1931
"Music alone has the power to evoke
as it will the improbable places, the unquestionable and chimerical world which
works secretly on the mysterious poetry of the night, on the thousand anonymous
sounds made when leaves are caressed by the rays of the moon."- Debussy
“Music is probably the most difficult of the arts to
criticize" - Winton Dean from "Criticism", New Grove Dictionary of
Music and Musicians, 1980
“Bach’s music is the only
argument proving the creation of the Universe cannot be regarded a complete failure” – E.M.
Cioran
“All art constantly aspires towards the condition of music.
For while in all other kinds of art it is possible to distinguish the matter
from the form, and the understanding can always make this distinction, yet it
is the constant effort of art to obliterate it. That the mere matter of a poem,
for instance, its subject, namely, its given incidents or situation... should be nothing without the form... that this form, this mode of handling, should
become an end in itself, should penetrate every part of the matter: this is
what all art constantly strives after, and achieves in different
degrees.... It is the art of music which
most completely realises this artistic ideal, this perfect identification of
matter and form. In its consummate moments, the end is not distinct from the
means, the form from the matter, the subject from the expression; they inhere
in and completely saturate each other”- Walter Pater, in ‘The School of Giorgione’; from The Renaissance: Studies in Art & Poetry,
1877
“Music is the universal language of mankind” - ― Henry Wadsworth
Longfellow
"Every
theorist and philosopher who hasn’t a real place for music ends up with
one-dimensional melancholia” – Nick Land, 1998
“I am never
merry when I hear sweet music” – Jessica, from Shakespeare’s The Merchant of Venice
"This
music is here in opposition to other music. It doesn't all co-exist together
nicely. The fact that I have chosen to do this implies that I don't value what
you're doing over there. My activity calls into questions the value of your
activity. This is what informs our musical thinking and decision making" –
UK improv musician John Butcher, in The Wire
magazine, 2008
“Architecture is music in space.... a frozen music” - Friedrich Wilhelm
Joseph von Schelling, Philosophy of Art, 1845
“Music...is the vapour of art. It is to poetry what reverie is to thought, what the fluid is to the
liquid, what the ocean of clouds is to the ocean of waves” - Victor Hugo, in William Shakespeare, 1864
“Music
“says” things about the world, but in specifically musical terms. Any attempt
to reproduce these musical statements “in our own words” is necessarily doomed
to failure. We cannot isolate the truth contained in a piece of music; for it
is a beauty-truth and inseparable from its partner. The best we can do is to
indicate in the most general terms the nature of the musical beauty-truth under
consideration and to refer curious truth-seekers to the original. Thus, the
introduction to the Benedictus in the Missa Solemnis is a statement about the
blessedness that is at the heart of things. But this is about as far as “our
words” will take us. If we were to start describing in our “own words” exactly
what Beethoven felt about this blessedness, how he conceived it, what he
thought its nature to be, we should very soon find ourselves writing lyrical
nonsense… Only music, and only Beethoven’s music, and only this particular
music of Beethoven, can tell us with any precision what Beethoven’s conception
of the blessedness at the heart of things actually was. If we want to know, we
must listen...” - Aldous Huxley, in
“Music at Night,” from Music at Night and
Other Essays, 1931
"Why
are rhythmical sounds and motions so especially contagious? A rhythmical call
to the crowd easily foments mass ecstasy: 'Duce! Duce! Duce!'. The call repeats
itself into the infinite and liberates the mind of all reasonable
inhibitions.... as in drug addiction, a thousand years of civilization fall
away in a moment.... Rock'n'roll is a sign of depersonalisation of the
individual, of ecstatic veneration of mental decline and passivity” - Dr Joost
A.M. Meerlo, New York Times, 1957
“Music has a
thirst for destruction, every kind of destruction, extinction, breakage,
dislocation. Is that not its potential 'fascism'?" --Gilles Deleuze &
Felix Guattari, A Thousand Plateaus, 1980
"Music
is nothing but organised noise. You can take anything -- street sounds, us
talking, whatever you want -- and make it music by organising it" --Hank
Shocklee of Public Enemy, 1990.
“Silence is
an integral part of all good music. Compared with Beethoven’s or Mozart’s, the
ceaseless torrent of Wagner’s music is very poor in silence. Perhaps that is
one of the reasons why it seems so much less significant than theirs. It “says”
less because it is always speaking” - Aldous Huxley, “The Rest Is Silence” from
Music at Night and Other Essays, 1931
"Styles
of music intended for dancing have a way of evolving into music for listeners
only" --Charles Keil and Steve Feld, Music
Grooves, 1994
"More
participatory musics are more rhythmically complex (and harmonically simple);
more contemplative musics are rhythmically simple (and more harmonically
complex).’
–
Simon Frith Performing Rites, 1996
“Music produces a kind of pleasure which human nature cannot do without” ― Confucius, The
Book of Rites
“One good thing about music, when it hits you, you feel no pain” - Bob Marley
“When I'm tired and thinking cold / I hide in my
music, forget the day /And dream of a girl I used to know/ I closed my eyes and
she slipped away / She slipped away / It's more than a feeling / When I hear that
old song they used to play” – Boston, “More Than A Feeling”, 1976
“God has given us
music so that above all it can lead us upwards. Music unites
all qualities: it can exalt us, divert us, cheer us up, or break the hardest of
hearts with the softest of its melancholy tones. But its principal task is to
lead our thoughts to higher things, to elevate, even to make us tremble… The
musical art often speaks in sounds more penetrating than the words of poetry,
and takes hold of the most hidden crevices of the heart… Song elevates our
being and leads us to the good and the true. If, however, music serves only as
a diversion or as a kind of vain ostentation it is sinful and harmful” –
Friedrich Nietzche, autobiographical fragment, date unknown
“Invisible
airwaves / Crackle with life /Bright antennae bristle /With the energy /Emotional
feedback /On a timeless wavelength / Bearing a gift beyond price /Almost free /All
this machinery / Making modern music / Can still be open-hearted / Not so
coldly charted /It's really just a question /Of your honesty, yeah your honesty”-
Rush, “The Spirit of Radio”, 1980
“We're lost
in music / Caught in a trap / No turnin' back / We're lost in music / Feel so
alive /I quit my nine to five / We're lost in music” – Sister Sledge, “Lost In
Music”, 1979
2 comments:
Not sure I can muster a 1000 words but interestingly I played rite of spring to my 4 year old son (way back when) not only did he love it but demanded I play the whole thing again.
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