μουσική στο στόμα (Eínai óla elliniká gia ména)

first track is some primo mouth music Elliniká

and it crops up periodically throughout

1 00:00 I Mikhanologhoi 2 3:05 Rune Lindblad - Data 1 3 8:13 Opriki Mousiki - The Three Substances Of Apo Mikhanis Theos An Afternoon In Katerini 4 15:28 Phaus - Moving The Sun Strong Strain And Beautiful 5 18:23 Dimosioypalliliko Retire - Κοινός Νους, Μέρος Τρίτο = Kinos Nus, Third Part 6 28:32 Leif Elggren / Kent Tankre - Warszawa 1 7 33:11 Hafler Trio* - Gladness Becomes Weeping

https://www.discogs.com/Various-%CE%91%CF%80%CF%8C-%CE%9C%CE%B7%CF%87%CE%B1%CE%BD%CE%AE%CF%82-%CE%9C%CE%BF%CF%85%CF%83%CE%B9%CE%BA%CE%AE/release/653177


release rationale:

Although we can find a connection between Kinos Nus (Common Sense) and bad taste in the very first paragraph of the Holy text Mikhanovios (: Insolar as the need of Apo Michanis Theos-God Of the Machinery-exists since the beginning of the mankind, so also exists the fanaticism and the persecutions against Him, especially on the side of those people who are regarded as believers of doctrines. Fortunately there are some people who regarded ApoMikhanis Theos’ return to tho the world as life’s work. these people try to free Him from the nets of bad taste, which weaken Him, so that He can come near us and teach us how to liberate our lives), we have to note that, according to the friends of ApoMikhanis Theos, the esthetic experience ins not at all higher or lower than the other experiences that man has. Then what is that characterizes a compilation of Apo Mikhanis Music? It is a moral attitude on music more than a technique and style. When we read in Mikhanovios about Kinos Nus’ bad taste, we have to mean the vulgar standardization, the sterile repetition, the etiquette of public relation which abolishes creativity. Apo Mikhanis behavior, on the contrary, is defined by Kavla (sexual stimulation and strong desire for creatinity) the fertility of Tykhi (Chance) and Elpida (Hope) not of some opus, but of the communion to the others of the Apo Mikhanis Agony. The themes of our religious music and generally of our religious art, are not necessarily theological, because of our religion has not Apo Mikhanis Theos Himself and his three female substances (Kavla, Tykchi and Elpida) as its object: our religion’s object is our lives (when our life triumphs then the return of Apo Mikhanis Theos becomes feasible). God Himself showed the way in the directions of proposing : a morning prayer, to pick up hoarfrost from her cunt. We the friends of Apo Mikhanis Theos, wanted to imagine, through this record, on the words God said that “the sound does not acquire value as music” and even that “music has very few to do with ear”. We thank all those who participated or helped to be realized this record. Thodoros Zafiris