mundmusik / chimescapes ( gibbon i glas)

release rationale:

Two of Henning Christiansen’s tape works from the 1980’s, 'Peter der Große op. 174' (1986) and 'Gudbrandsdal op. 178' (1987), are now released for the first time by the Institute for Danish Sound Archaeology. Originally composed for different contexts – 'Peter der Große' as the score for a German radio feature and 'Gudbrandsdal' for a performance in collaboration with Joseph Beuys and later Bjørn Nørgaard – the two works stand out in Christansen’s extensive and many-faceted oeuvre by employing almost entirely electronic sounds. Peter der Große involves electronic instruments like synthesizer and a crackle box, while Gudbrandsdal employs a more minimal approach and aesthetics through the heavy use of echo effects and manipulation of the tape speed. Both of the tape works carry a heavy atmospheric tone and are set in a largely electronic sound world. Two absolutely enthralling and immersive pieces of tape music, now available for the first time.
credits
released February 22, 2020

Composed and produced by Henning Christiansen, 1986-1987.

Text by Magnus Kaslov
Digital transfer by Claus Byrith
Mastering by Andreas Pallisgaard
Cover design by Kasper Vang

A great thank you:
Thorbjørn Reuter Christiansen, Helmut Kopetzky, Bjørn Nørgaard, Mark Harwood, Claus Byrith, Lars Mørch Finborud, Henie Onstad Kunstcenter, Eva Havshøj Ohrt, Edition·S, Åse Hedström, Henning Christiansen’s Archive.

Published by Institut for Dansk Lydarkæologi 2020
IDL 17 · All rights reserved.
With support from KODA Culture.

det var i morgen (den endelige grænse)

a name unfamiliar to me

space obsessed even before he got his mitts on synths



this is a cool album cover

det var i morgen (danske but yes danske)

blurb from  Institute for Danish Sound Archaeology 

"This release presents a selection of sound experiments made by Danish tape amateurs during the period of 1959-1976. The pieces included on the record are all contributions, which have been submitted to Danish tape amateur contests, but none of the works have been released before. The compilation represents a fragment of a previously overlooked and forgotten piece of Danish sound- and music history, where people experimented with the tape recorder in their spare time, creating sound collages and electronic music. "

Institute for Danish Sound Archaeology  who also reissued this earlier-Creeled beaut by Knud Viktor