Friday, August 29, 2014

female shriekers

The ongoing Kate Bush mass hysteria got me thinking about other female singers with shrill, soaring voices -- operatic or histrionic or she-warrior whooping. In the postpunk / New Wave era there were a whole bunch of them, although few of them, I suspect, would have acknowledged any affinity with Bush.  Like Bush, these were divisive voices -  fingernails-on-blackboard grating  and/or preposterous to some, sublime and uplifting and empowered to others.


Of exotic Eastern European origins (Serbian on her dad's side, she was born Lili-Marlene Premilovich), Lene Lovich had a couple of big UK hits, like the New Wave boppy "Lucky Number", and initially came over as a charming oddball but then got more operatic and (to most pop punters) off-putting with her later, much smaller hits like "Bird Song"


Then there was Nina Hagen, who had a whole pre-punk career in East Germany as singer of Automobil and then kookified herself in line with New Wave aesthetics



Like a cross between Ari Up and Klaus Nomi

In fact according to Wiki she trained in ballet and opera and was considered an "opera prodigy" aged nine.

Beating Bauhaus to this cover...



How about this potentially shrillgasmic team-up of Nina and Lene, who clearly recognised each other as kindred spirits of stratospheric warble....



Actually not as ear-shattering as you'd expect


In fact Nina actually covered Lene's biggest hit "Lucky Number" and out-showboated her



And then the warrior-chieftainess of suburban postpunk - Toyah Wilcox, whose band  - Toyah - were originally a sort of distaff Adam and the Antz (when the band had a 'Z' on the end) with indie-chart big seller Sheep Farming In Barnet -



Then she followed the trail blazed by Adam and the Ants (with a S on the end now -- less cultic and underground in vybe, more open for teenybop business)  into pop and the UK hit parade





Revealingly, she was originally, and remained primarily an actress  - Derek Jarman's Jubilee and The Tempest,  films, big theatre roles in stage productions by cutting-edge street-raw playrights,

A sort of thesped up, lisping Siouxsie



Once the missing link between Boadicea and Kirk Brandon.... nowadays she's a charming, oh-so-English, matronly-but-sexy figure, married to Bob Fripp, and what a lovely couple they make



There's others worth mentioning....

Pauline Murray, of astonishingly pure vocals, whose solo album backed by The Invisible Girls (Martin Hannett's lot) is soon to be reissued in deluxe expanded bonus-track-laden form by LTM / Les Disques Du Crepuscule





Poly Styrene and Siouxsie and Ari Up as pioneers

Over in the States, Missing Persons's Dale Bozzio



And Clare Grogan, in her early mode of Siouxsie-as-cutie, punkette pixie




Prototypes in pre-punk?

Grace Slick

Sonja Kristina from Curved Air

Who I hear a trace of in this Nina with Autombil tune



Oh, and a few more sort-of-vaguely connected New Wavers -- not so much shrieky as warbly in the case of the Modettes



And high-pitched but not vocally strong or imposing enough to really rank as a shrieker: Honey Bane










And how could I forget? Beki Bondage of Vice Squad, who judging by the interview bits really was the Kate Bush of punk -- so well spoken, so nice.




Indians In Moscow



And Danielle Dax - the Peel Band / DIY underground's very own equivalent to Bush perhaps - theatrical, fantastical of lyrics, produced her own music, fluctuating vocally.... perhaps more breathy than shrieky but still....







as one YouTube appreciator puts it, "if bowie and kate bush had produced a child this is what she would have sounded like...."



Monday, July 28, 2014



(via this cool Dissensus thread on the Late Night City Aesthetic)

Oooh that flickering gtr lick

Kinda like a jazz-funk E2-E4
 
The axeman finding the intersection between Manuel Gottsching and George Benson

 The concept of "late night city" and the (an)aesthetic of smoooooov made me think of two things:

1/ R&B station I tuned into while in London in the summer of 2004 - a weekday transmission, in the small hours -- which I blogged about here:

Choice FM, 96.9 (pirate or legal?), Mondays after-midnight--Jenny Francis "The Slowdown". The eroto-langourous mist of Co-Ed’s "My Place", underpinned with post-"Sexual Healing" 808 clave-poings and basspulse; the softcore pornhaze of Usher’s "Seduction"; Brandy’s Coldplay/"Clocks" piano sampling "Should I Stay". Slowjamz as ambient; put-you-in-the-mood music. Extremism of lushness/loveliness/luxuriance--refuting Noise-dogma as surely as Shirley Brown and The Dramatics did back in the day. Texted in, dedications to "Tulse Hill man dem." 

2/ Thomas Leer's "Tight As A Drum" from the incredible 4 Movements EP



Which I described (for the Rip It Up compilation on V2) thus:


"A tingling, tremulous mist of synthetic sighs and shivers, "Tight as a Drum"
captures the frayed euphoria of a young man who's made it through 'til
dawn's early light
"







Friday, July 4, 2014


 
wow



so cool



people are clever







and the sounds are good too

Woebot send me some of Sculpture's stuff a while ago, but on a burned CD!

But I think I have one or other of their actual platters too somewhere.


(via Tiny Mix Tapes)

Sunday, June 1, 2014

Berkhamsted's finest!




Berko band win Melody Maker 1974 National Rock Contest with their hard-riffing progressive sound!


But wait a minute!

That dude on the left with the Afro....

I recognise him....

He went on to play in Tubeway Army.

You can see him in the video for "Cars".



Cedric Sharpley!

Great drummer.

Dead now, sadly.

I saw him a couple of times in Berko. The occasion that's still vivid in my memory is Ced striding purposefully across the Lower Kings Road. Quite possibly on his way to the town's one record shop (not counting W.H. Smith and Woolies).

MM gave oddly extensive coverage to Druid after their triumph. There was quite a large piece on them, looking at their beginnings, the struggle of an up and coming band -  gig by slightly better gig, key decisions to invest in better equipment, and so forth. And then there was a later piece looking at their progress since winning the contest.

After Tubeway Army, Sharpley and some of his fellow Numan-minions formed the band Dramatis, with Gaz's support.






Saturday, May 24, 2014



never saw the video for this beaut before, never knew it was based around the Prisoner!



Something about Scottish music at this time, a clarity, a fierce purity














Thursday, April 24, 2014

Thespolonius Monk(man)



Plot makes little sense, but compulsively watchable and WHAT an ending! Eh?

Francis Monkman, snazztastic. The British "Shaft".

As for Hoskins -  theeeee-eeeee-eeeee-ESP!  The primate teeth-baring, the slow agonised resignation to his fate....


 
A whole entire documentary on "The Long Good Friday"







unofficial stereo mix of the title theme



Hoskyns crops up in the debut episode of Jonny Trunk's Trunk TV, dedicated to great TV title sequences - as part of the casdt of a British TV show I have no memory of: On The Move


Thursday, April 17, 2014

Thursday, March 27, 2014



Surprisingly good replica - drummer and bassist especially are hot. The Levene surrogate struggles a bit here and there, but overall a manful effort. Even the singer does a decent job wit the Lydon muezzin. 

(Via Douglas Keeley)

Another pretty fair emulation:



This too



Solid, lacks bite