unreleased Chris Marker TV series The Owl's Legacy, viewable here

(via Toys and Techniques)

Her Ghost -- a remix of / tribute to La Jetee by Kode 9, MFO and Ms Haptic

watch the trailer for it here

[via Rockets and Rayguns]

songs from nineties band that sound a lot better heard randomly on the car radio today than they did at the time

Time, the great colander, sifting through the shite

always forget how disappointing Be Bop Deluxe are

over the decades tried several separate occasions to get into them

fooled by:

great name

cool LP and song itles (Futurama, Drastic Plastic, Live! In the Air Age, "Jet Silver and the Dolls Of Venus" / Teenage Archangel" / Between the Worlds" / "Kiss of Light" / "Hot Valves EP" / "Futurist Manifesto" / "Electrical Language" / "Surreal Estate")

cool or at least kinda-cool covers

great set of influences and reference points - Bowie-Roxy-Crimson-Floyd-Hammill-Zappa; glam meets prog; science fiction

Bill Nelson went on to do Red Noise, his pretty-cool New Wave self-make-over, and then, interesting-ish solo stuff also in a New Wave/synthpop vein

it seems so promising

but the reality music really is "exquisite nothing" (P.Morley)

not even that exquisite

here's a few from Bill N's New Wave days

haven't felt the urge to listen to Prince in almost twenty years

but for no apparent reason i'm "on it" again, big time

i did not know that "Pop Life" was actually a hit in America (it was a conspicuous failure in the UK)...  can u imagine this playing on the radio?  wild!

Sonja Kristina of Curved Air fits in this category of female vocalist i once blogged about as That Voice...  a type exemplified by Grace Slick, Dorothy Moskowitz of The United States of America, and Lynn Carey who did the lead voice for the Carrie Nations songs on the film soundtrack of Beyond the Valley of the Dolls, but for the actual soundtrack album itself was replaced by another female singer who wasn't quite as powerful

"That Voice" meaning a vocal style that was white and strong (or maybe strident is the word) ... clear, sustained, piercing...   not obviously influenced by rhythm-and-blues or soul or jazz, but more like a mixture of folk and show tunes that adds up to something else altogether.... a hint of witchy mystery...  feminine but forbidding...

Sonja K was a folky sort of singer but she'd also been in Hair

(when i was reading old music papers researching Rip It Up, i remember a swipe at Siouxsie and the Banshees saying that they were just Curved Air with a different hair cut -- but that seems like a cheap and also inaccurate shot)

the Continent is probably full of That Voice candidates -- Mariska Veres of Shocking Blue (especially on "Love Buzz")...   Edna Béjarano of The Rattles as in "The Witch"...  Annisette Hansen in Savage Rose

Nico would be That Voice but her voice isn't strong enough in pure power terms.... there has to be a sense of formidable and imposing and a little bit intimidating, even...

Stevie Nicks is almost in the zone but a  tad too husky, too rock'n'roll gritty..

More Sonja K!

The lead singer in Heart approaches it, via a transgendering of the already epicene Robert Plant

Here's some further thoughts I had on this subject on blissblog back in the day, duplicating some of the very same points made above! if nothing else the way my brain works is a consistent process...

varied pedigree, this Francis Monkman

Curved Air, 801 (the Manzanera-Eno-et al supergroup), library records galore, Sky...

and this great soundtrack

but Sky was his biggest success, another supergroup, this tune got to number 5 UK

always wanted to get into Curved Air but have never quite managed it

i wanna hear FM's solo album Energism which contains this as used in various tv programs for theme reasons

and then there's all the library stuff

another demo synth thing with FM