the opening song of this LP is one of my favorite songs ever - harrows my heart it does
There is another version of "The Blacksmith" that the early Steeleye did but it's not half as piercing as that version on Pleased To See The King
Got into Steeleye and that particular LP through a piece now unfindable on the internet in which a chap pointed out that the guitar in "Skank Bloc Bologna" bore the unmistakable influence of Martin Carthy-era Steeleye Span. One of those light bulb moments that you would often get in the early days of the internet, where all kinds of strange bods were dropping odd knowledge that they'd stored up for decades, insights and connections.
Here's some Green quotes on the subject, via Bibbly-O-Tek extracts from a Time Out interview:
"At school, I used to go to a folk club in the Newport docks area. Martin Carthy was my hero. He's a seriously funky guitarist! At art college in Leeds, I followed Carthy around the country. I was once stranded in the middle of nowhere after one of his gigs, and Martin and Norma went completely out of their way to give me a lift home, which was lovely of them."
He liked the way that old men urinated at folk clubs!
˜They had a way of holding their cocks while they were pissing. I found that fascinating. I wrote a lyric about it on the first album [on 'Jacques Derrida']. 'He held it like a cigarette/ Behind a squaddie's back/He held it so he hid its length/And so he hid its lack.'
I must say though much as I love Pleased to See the King I've never managed to get into Carthy solo. I don't find his voice appealing.
^^^^^^^^^
A cool fan video with lots of photos of early Scritti live and done I presume for interviews (zines?) that I've not seen before, plus a bit from the Rough Trade doc with them inserting vinyl in the Skank Bloc fold-up sleeves
Odd to think that only about 4 or 5 years separate the Steeleye BBC film and the Scritti / Rough Trade TV footage (South Bank Show originally I believe)
what a massive rock cultural gap (whereas the difference between 2019 and 2014 is barely discernible, in pop culture - if not in political culture, where it's a chasm)
This is a rather sweet testimonial off of YouTube
^^^^^^^^^
A cool fan video with lots of photos of early Scritti live and done I presume for interviews (zines?) that I've not seen before, plus a bit from the Rough Trade doc with them inserting vinyl in the Skank Bloc fold-up sleeves
Odd to think that only about 4 or 5 years separate the Steeleye BBC film and the Scritti / Rough Trade TV footage (South Bank Show originally I believe)
what a massive rock cultural gap (whereas the difference between 2019 and 2014 is barely discernible, in pop culture - if not in political culture, where it's a chasm)
This is a rather sweet testimonial off of YouTube
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